“NO BOOK BLURB, NO CRY” EXCERPT by Brian Alan Ellis

“NO BOOK BLURB, NO CRY” EXCERPT by Brian Alan Ellis

An Inspirational/Crazy Informative Guide to Proper Book Blurbage

(An excerpt from Sad Laughter, forthcoming from Civil Coping Mechanisms)

“[This book] will fry up some prose eggs in your ol’ brain pan.”

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“[This writer] is the kind of poet whose madness and how [he/she] exorcises that madness is a thing of dark brilliance one can admire from afar but if you ever let [him/her] crash at your house for a few days [he/she] would scare the living shit out of you.”

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“[This writer] can fix your pipes and your roofing but [his/her] book of durable, brick-layered stories can also fix your mind plumbing, too.”

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“[This book] sends a roundhouse kick to your funny bone before blowing it up. Disagree? Then I don’t con­sider you a person; you are a terrorist towards good taste.”

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“Reading [this book] is like waking up to find a bloody horsehead in bed with you and then screaming but not screaming because you’re repulsed but because you’ve actually discovered a fresh way to look at life and it’s amazing.”

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“[This writer] definitely has a way with words—they aren’t written; they’re kicked and fondled before being splattered across the page like a dead, wet dog.”

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“[He/She] is the type of writer you’d let crash at your apartment and then wake up to find they’ve murdered your pets and then turned them into dancing puppets that are now lip-synching to all your favorite Debbie Gibson cassingles, so yeah, a real party animal.”

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“[This book] takes readers on an uncompromising fun­house ride of damaged people attractions.”

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“[This writer] is the type of poet who will put [his/her] head through a plate glass window just to make killer poetry out of [his/her] face.”

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“[This book] is a brave and poignant look into a per­son’s mind as they struggle to exist in a world where Hulka­mania is generally not the strongest force in the uni­verse and we are all in danger of being crushed by a 500-pound giant hailing from parts unknown.”

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“[This book] is recommended for anyone who knows how to read.”

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“[He/She] is the kind of writer clever enough to moon­light as a lawyer/sociopath capable of freaking out a table full of squares by using hella unassuming meth­ods, so yeah, a wonderful talent.”

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“[This writer] writes like a sadistically imaginative child who plays house by burning down the house.”

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“[This book is] a coming-of-age fever dream [the author] carved into some Ouija board [he/she] later used to summon the spirits of David Koresh, Jesus Christ, and Richard Ramirez.”

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“[This writer] is like the Tombstone of frozen descrip­tive prose pizza.”

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“While reading [this book] you’ll feel as though you’ve been taken hostage, like you’ve been stuffed and then zipped inside of [the author’s] emotional baggage, which is okay because it’s warm in there, at least.”

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“[This book] is kind of like Dostoevsky’s The Brothers Karamazov meets Soundgarden’s Badmotorfinger, or maybe like The Notebook meets Re-Animator, I don’t fucking know.”

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“[This writer] is like Sissy Spacek in the movie Carrie when they dump pig blood on her but instead of setting the prom on fire [he/she] ignites your thoughts using dark and mysterious word torches.”

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“If the literary scene were a slammin’ mosh pit, [this writer] would be commanding that shit using wind­mills and crazy roundhouse kicks.”

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 “[This book’s] narrative is like the music video for Van Halen’s ‘Right Now,’ except it makes sense, and it’s funny for the right reasons, and it isn’t as preachy.”

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“[This book] is the literary equivalent of Kid Rock’s dandruff.”

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“Though [this writer] has never won a literary award, it’s quite possible they’ve accidentally urinated on themselves while drunk, so…”

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“Crackling with powerful satanic energy, [this book] is like When Harry Met Sally except Harry listens to nu metal and Sally is possessed by Zuul from Ghostbusters, has an addiction to shitty speed, and may or may not be a juggalo.”

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“[He/She] is the type of writer you’d let crash at your apartment and then wake up to find naked and sum­moning weird spirits while kneeling in the center of some pentagram they’ve drawn out on your living room floor using your pet’s blood, so yeah, a real pain in the ass.”

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“Reading [this book] is like having your emotions con­stantly dunked on by Shaq.”

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“[He/She] is the kind of writer who will pilfer a leather bomber jacket out of a garbage can and then hit the shitty neighborhood bar thinking they look real god­damn good in it, so yeah, a kindred spirit.”

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“[This book is] dripping with comical dark poignancy… like a bacon, egg and cheese McGriddle.”

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“Reading [this writer] is like getting a totally sweet hand job from someone with an MFA—someone really smart, but also someone kinda shifty, kinda dangerous.”

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“[This writer] is the type of person who’d eat the fries off your plate after you’ve gotten up to use the bathroom at Perkins, which means they’re a real sneaky ass.”

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“Sorry, book blurb was replaced by Metallica’s St. Anger snare drum sound.”


Brian Alan Ellis runs House of Vlad Press (houseofvladpress.com), and is the author of several books, including Sad Laughter (Civil Coping Mechanisms, 2018). His writing has appeared at Juked, Hobart, Fanzine, Mon­keybicycle, Elec­tric Literature, Vol. 1 Brooklyn, Funhouse, Heavy Feather Review, and Yes Poetry, among other places. He lives in Florida.

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