STUNG by Sheree Shatsky

Mary found her honey bee the same way as her momma and her momma before. She paid for him.

She first saw the fine young man while watching the Billy Graham Crusades on television.  He sat next to the big man himself and she liked how his suit shined in the sunshine. It was enough to make a girl pull out her credit card and tithe online and that she did, adding a note—More where this came from should you email back stating the name of the spiritual being sitting left of the world’s finest preacher.

Deacon Willis, came back in reply. A woman true to her word, Mary tithed ten percent of the amount she felt appropriate for a Christian match-up. Please have Deacon Willis email me at LordmyGodinfinity@gmail.com and I’ll finagle a few more dollars your way.

An email popped up in her mailbox, a form letter request for contributions to help the suffering children enduring life in the war zone known as Haiti.

Happy to help the effort, Deacon Willis, she replied, upon learning your first name. Best, Mary Temple.

The answer popped up quicker than quick. William. William Theodore Willis. (If I may be so bold, as the Lord has instructed us to go forth and procreate, I am happy to say, I am a single man in search of a good woman.)

That I am, a very good woman. You sound like a gentlemen I’d like to meet, a true man of the cloth. I imagine Billy Graham doesn’t travel to the place of my home and heritage. Yet, I would not find you presumptuous to board a plane and come calling.”

Thank you for your kind invitation, Mary. I’ve placed your contributions in my personal travel account and will catch the next flight your way. Our brief counsel will console me during my mission to Haiti when darkness falls and the streets are lined with candles and the debris of lost souls.

Sir, I’m off to buy a fancy dress to meet a faithful man. Let’s meet with the Lord’s blessing Sunday at Hopewell Church. I’ll look for you at the church supper.

Following services, she scooted past the milling parishioners and sat at the far end of the table by an impressive potted split leaf philodendron. An enthusiastic reception greeted the deacon as if Billy Graham himself stood before them. Willis maneuvered around the table, shaking hands and greeting the ladies.

Mary watched him save her for last. The philodendron tickled the back of her neck as the breeze trickled through the screened window. He stopped behind her chair and rested his hand on the back. The tickle turned red hot. She dabbed a napkin at her lady dew as he asked all to bow their heads for the blessing. “Thank you, Lord Jesus,” he breathed down her neck, “for this bountiful food and these good people. Amen.”

He sat himself down. “That is a very nice plant you’re wearing, if I may so say.”

“Oh, this old thing?” She laughed. “My name is Mary Temple, which likely you well know and I promised to support your mission in some small way.” She removed an envelope from her purse.  

Willis slid open the flap, his eyes on her. He unfolded the legal document inside, the title of her home.“Why, Mary. I can’t accept this selfless contribution, but I tell you what.” He whispered in her ear. “I’d love a tour.”

“Deacon Willis, by all means. Let me show you the way.”

The deacon made his excuses to the gobbling congregation and met Mary out front of the church watching a woman parade by, pushing a baby stroller with a wild-looking dog leading the procession and a black cat taking up the rear.

“Bless you,” Mary call after the odd procession.  

The woman stopped short. “Sunday words don’t pay the rent,” she said, turning round the stroller. “How ‘bout blessing me with something a bit more substantial?””

Mary took a step back. “I meant no disrespect,” she said.

“That’s quite a dog you have there,” Willis offered, stepping in front of Mary.  “What’s the breed?”

The woman shrugged. “No telling, though It’s said, if a black cat follows along after a dog, it’s sensing a bit of the wolf. Or so, I’ve been told.” The black cat looked at Willis, closed its eyes slow and opened wide slower, strolling over to peruse the deacon’s ankles, rubbing the full length of his body in and out.

“Cats don’t usually take to me,” he said.

Mary fished through her best purse for a couple of dollars. “Again, I meant no harm,” she said, handing the woman the money.

She accepted the offering.  “None taken, it’s just I’ve got my brood to care for,” she said, giving the stroller a sharp tap and a harsh jiggle.

Willis chuckled. “What’s inside? A wolf pup?”  

The cat circled eight around the deacon’s ankles one last time.

“See for yourself,” the woman invited, zippering open the stroller enclosure. “I won’t charge you one red cent.”

Willis leaned in.

The bees swarmed the deacon and knocked him flat to the ground. His struggle proved short. After certain he was good and dead, Mary fished a cartridge from the pocket of her new fancy dress and freed a queen bee. The bees followed their mistress and were gone as quick as they had come, a dark cloud of audible darkness.

“That cat is never wrong,” the woman said to Mary. “Senses the wolf each and every time.”

Mary smoothed away the hair from what had once been the forehead of a handsome face. “I don’t know, I sort of liked this honey bee.”

The woman sniffed.  “Now don’t you start getting all blubbery on me.” She zippered the sticky stroller closed. “Plenty of fancy pants out there preying on those with little or without, stealing and thieving whatever they’ve got, all in the name of the Lord.”  

“I think Momma would’ve liked the deacon.”

“Good Lord Almighty, child!” She bent over laughing, clapping her hands together. “Your momma would’ve liked you tossing the queen bee into the mix, though she probably would’ve watched that no good shyster swell a few minutes longer. She was hard like that.”

She looked Mary straight in the face. “I knew your momma and though she struggled with passing on the work to you, as sure as I’m standing here, she was dead right to school you in the family tradition, just like her momma taught her. Don’t ever lose sight of your purpose on this earth. As for me, I am happy to help you rid the monkey suits from our little piece of heaven, bees willing, as long as I walk among the living.”

Mary sighed. “How much do I owe you, Ora?”

“I’ll take the watch. I need myself a reliable time piece. You’re doing the Lord’s work, sugar.” She pushed the stroller on down the sidewalk, dog in the lead, cat in the rear, heading towards the hive back home where she would find the bees killing off their queen, like their mommas and their mommas before.

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DOGS AND THE SMELL OF GIN by Scott Manley Hadley

In the years since my nan died, I’ve taken to drinking gin. She always smelt of it, it reminds me of her.

I didn’t realise what her scent was until I was a student, only a few years before cancer killed her. One morning after a party, I woke up not alone and was confused by how vividly the smell of the room made me think of my grandmother. Diving into old memories, I sought repressed images of cross-generational incest, but (thankfully) there were none. I sniffed harder at the smell of the room and realised what I recognised and, finally, I understood that my nan was an alcoholic.

Many things suddenly made sense: the clinking sound that accompanied her alone in a room; the muttered comments my mother used to make when I came home drunk during my last years at school; my mother’s repeated discouragement of me and my sister from ever getting into her mother’s car. My nan smelled of gin. All the time, all through the day, however sober she seemed. Less so, the last few years of her life as she began what was to be a fruitless fight against tumours (when she began, instead of juniper, to smell of nothing and, later, rot) but for all my childhood and teenage years, that weird smell of my grandmother’s wasn’t perfume, it was liquor.

I am an alcoholic, too. People say that it runs in families, and I suppose I’m proof that it does. My mother is pretty much tee total (often a response to parental alcoholism), and my father – though he drinks occasionally – I have never seen drunk. Neither of them seem to like it, the feeling of intoxication. I’ve tried many other intoxicants because it’s really not hard to get hold of them, but nothing’s ever felt as good as alcohol. It raises you up, straightens you out, lets you sleep and makes you happy. You can still laugh, you can still cry, and you don’t feel unfuckingstoppable. Alcohol extends the self without erasing it, subdues anxiety and tastes delicious in a myriad of ways. There is nothing like a cold beer on a hot day, nothing like champagne to celebrate, nothing like a swig of neat gin to, just for a while, quieten the furies in your head.

My drinking’s been a problem since adolescence, but over the last few years it’s gotten worse. Perhaps it’s more noticeable because I’ve got less friends now, and most who remain are also alcoholics. Perhaps it’s more noticeable because I drink mostly at home now, and the empty bottles are waiting, collected, in my weekly recycling rather than scattered across the city’s bars. I get the DTs when I don’t drink. The days after I haven’t been drinking hurt more than the mornings after I’ve blacked out. The days when I drink, I carry on until I pass out. And as I usually drink at home, now, nobody knows how bad things have got. Nobody knows I slept half the night next to a pile of vomit on the kitchen floor. Nobody knows I was so hungover on Sunday I didn’t take my dog out, and he shat next to my bed. Nobody knows I left the shit there until Tuesday.

My nan had dogs when I was a child. She had three when I was a baby, and slowly they died. The last one, a rescued Labrador, lived until I was around eight. She is the only one whose name I remember, it was Kirsty. A year after my nan’s death, I bought my own dog. For the first few months, I was better. Better behaved, drinking less, getting up early every day to walk him. But I’ve since realised that the hole I thought he was filling was a hole much bigger than a dog. My grandmother had dogs and gin to hide her unhappiness, and then only gin; then death. When she lay on the bed she died in, skin hanging like fabric from her bones, I held her hand and said, “Thank you” and “I’m so sorry”. I don’t think she’d enjoyed her life and I think she knew I wasn’t enjoying mine. She also knew, though, that I’d been happy when I was a child, back when the world was something I hadn’t learnt to worry about, when cancer and booze and depression were words I didn’t know.

And for me, that combined smell of dog and ethanol-juniper is the smell of childhood, the smell of warmth and peace and contentment, the smell of my nan being alive and the smell of the future feeling like one long adventure I could enjoy forever.

You’ve probably read about alcoholism before and you might think it’s boring and repetitive, but imagine how boring and repetitive it feels to live. Imagine being stuck in repeated habits where the only thing that gives you release traps you tighter.

Alcohol feels like it helps, even though it doesn’t. But, as I know and my nan knew, having something that feels like it helps is better than having nothing at all. Having a dog helps, but having a dog is hard and having a drink is easy. And when everything else feels hard, too, having something easy is difficult to resist. I need to walk my dog. But first I need a drink.

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RHETORIC, GIRL! by Amie Norman Walker

Radio wire mutated with the Cicadas, every Midwest heart bled to this expectation.  Knowing of no reason for time to come undone she perched herself on the couch as Carjone’s car snaked the driveway. Elevated humidity levels sweat the brows of every surface as evening rolled over, drooling for nightfall’s reprieve. Unstable minutes turned around the clocks face before he walked in with blood on his hands in a stride unfamiliar to her. She stared at him, her head cocked left and her lips pursed tight until they popped open with confusion. A need for her reflexed in his shadow. A smile straighter than his muscles acclimated, licked across his lips before he spoke.

“I’m not going to hurt you, Angel.”

Thumb on one cheek, four fingers pressing into the other, he squished her face forcing her mouth back shut, then into puckered lips.

“I’m not going to hurt you, Angel,” he hushed at her moon-eyes. Her mind spun webs of wonder around every thought of what he had done to produce this new gait and heretofore glean of violence in his eyes. He leaned in and she thought he might kiss her. Inimically opening her mouth with pressure, he slipped two fingers past her lips, pressing against her tongue.  Salt and metal coiled her taste buds as he fingered her cheeks interior, sliding back wisdom tooth deep. Fingers threatened her appetite but panic yet to sway her perch, arched on the precedence of his swagger. He knew her gag reflexes lacked control, over the years he had to learn to accept the self-sacrifice of each contraction. She gagged against his fingers slender tips, her gut reacting with his gentle push to the floor, so from her knees she’d vomit at his feet. He didn’t expect her to grovel, his need was to see her bow, and if he knew her at all, she required force into such a position. Her insides heaved molten, splattering the tile and his shoe tips, the bottoms already marked with the dog shit he stomped through on his way out her lovers door.

“I’m not going to hurt you” he confirmed again, as if convincing himself, wiping her mouth against the back of his hand. Crouching down his rhetoric seared, “What was it you were hoping I’d find?” Panic thrust for a turn to choke her, eyes shut tight, she pressed forward until her face met the floor, vomit reaching for her hair. She numbed the rush of fear to reason what foment the shift in paradox. A defeating larrup to her cerebral cortex, she suddenly smelt the dewy rush of this morning. She left his address on the kitchen counter, left behind, in the steno pad under the “?” she sketched in grey pencil shades, curving out her feelings into a simple symbol. The ? mark symbolizing not only risk of dalliance, but undulating her impuissant cerebral firing. Carjone’s taught her everything she knew. Carjone’s reminded her daily of the promise she must keep for him. This maldestro error, unacceptable in its formation, was the suicide she’d not asked for.

Some people do not survive outside familial derivation of monogamy, a fact bunked against hypothesis producing population health risk adjustment factors. The Status Quo wet-nursed the belief anything they control is theirs and theirs only. Dearly devoted demand their possession, labeled love, wean from all others, to promptly be tethered solely and firmly to the other in a package christened commitment.

Carjone was a man of his commitments, Carjone wasn’t capable of living outside any boxes. She however, worried no reasonable thoughts after she removed the veil of misunderstanding each other. Her tether to Carjone’s did not demand passion but he worshipped her as if the ground she shat on moored the gateway to eternal youth. Materialized out of actions unmistakably natural, her pheromone ejections of interminable sums, pumped Carjone’s ego but would also that of any caught in the trajectory.

“I’ll tell you pretty baby, I don’t need to question you.”

She had not mistook his new stride, tuned to the Midwest’s old song, from a time when cowboys were more than junkies. She had not mistook the blood, red and caked, on his hands baked unmistakably against Carjone’s rage. Between his worked hands and her saliva it formed a glue, sticking to her chin as he cradled her up into his arms. Panic grasp at her expression, molding it submissively into position.

Her breathing held a steady pace, continuously, by her own demand, but she couldn’t control her heart. Palpitations un-steadied her, she grasped his arm in a natural pull at survival. Her thumb pressed against the scar he won when he tripped over her playing hide and seek under the warm vanilla sun chasing a hunter's moon. Childhood suddenly seemed far away, trembling she lost a reason for words.

“I’m not gonna hurt you, Angel.”, he whispered. She anticipated his actions would fall into that scars memory, warm as it bled back then, and perhaps he would not end her.

“In fact, I brought you a present. How do you like that?”

Her mistake inspired a killer. She caught it again in his eyes, causing her thighs to empty out an ache, collapsing her out of reality then back into it, drowning any possibility of truth beyond that her lover is dead. A certain hurt need be felt before a person can do the most amount of letting go they’re capable of. Carjone’s felt that hurt. She now felt it as hard. He half pulled her up with him, she floated on along.

He wrapped his arms around her, choking out a silence capable of healing, but a cry interrupted from over his shoulder, a sigh she didn’t recognize, breaking the domestics into a louder noise. She felt tension shatter when she found the girls face held recognition, this was the face of her lover’s daughter. “I’m not gonna hurt you, Angel. But that mistake was killer.” he grinned through his confession. He gasp at the reflection he caught in the mirror, as he turned around to leave her, as if it spoke his rhetoric, who was the most monogamous of all?

She walked backward into the bedroom closet, truth setting into her face, blood gloaming her jawline. Blood was on her hands, blood in her veins beat against her new pain. She hoped the wardrobe would swallow her into a place too dark to return from. She yearned to be forgotten, lost into the closet, passing through inanition with guilt the limbic grand finale fed through the amygdala. She sucked back her breathing and shut the door on herself, listening to her Daddy’s new lover cry.

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THE HARVEST SEASON by Brian Morse

Henry had to abandon his car. It was clear that the winter storm had curbed all travel, as massive snow serpents slid across the vacant highway. Had he hit a deer, or was it a person? Either way, any visible evidence had disappeared, and the car wouldn’t start. He was on the highway miles from civilization, but the county’s landfill loomed close like a craggy white mountain, where a single soft green light pulsed. He fled for help.

Snow quickly filled Henry’s boots as he plowed through a deer run toward the dump. Before squeezing through a small hole in the rusty fence, he turned back to affirm the location of the road, or to find a landmark in which to anchor his direction, but everything turned blinding white, and Henry’s orientation became scrambled. A foreboding chill swept over him.

Beyond a small trash heap of a hill littered with thousands of gulls, he saw the light that pulsed from inside a small concrete structure. Weaving in and out of the tittering gulls, a deep but quiet voice called out to him. Paralyzed with fear, the voice came again. Looking down, coming from all things, a gull. He nervously adjusted his knitted winter hat, and muttered, “The fuck?”

Casually, the gull said, “Friend, you will die here.”

Henry disagreed and barreled through the snow toward the structure. That conversation never happened he thought, he must have been hallucinating from the crash. Out of nowhere, a heavy bill whacked him in the head and ripped at the back of his neck. Henry fell down, covering his head. Panic set in, it was real.

Every time he attempted to walk towards the glowing structure, thick bands of snow would develop and turn him around. He wondered if something was actively preventing him from seeing what was inside of the structure. If not snow, the crows would swoop in, litter the ground leading to the structure, and block him from continuing. He tried hiking back to the road, but that was equally unsuccessful. Henry scrapped the idea and decided to escape in the morning, so for the night, he carved out a spot within the mass of gulls, hiding from Gene, the one that attacked him.

Unfortunately, morning never came. It stayed dark for days, the snow subsided and it turned warm—so warm, he stripped himself of his winter coat, at one point attempting to use it as a pillow. He fell asleep on and off between the unworldly noises the gulls made. How long had it been night, he was unsure, but he knew he needed food. A gamey, malodorous smell now consumed the wet dump. Henry’s nose burned from the soupy garbage, he couldn’t understand how the warm spell came on so quickly.

A fog, as thick as cake batter, kept him from finding his way out of the rank hell. Further disoriented, he tripped over a bowling ball and fell on a broken bottle. He conjured everything inside of him to get to the structure. The light flickered. He dragged himself over as far as he could go. Henry finally closed in, although now, the mud thickened and swallowed him. The pulsing glow electrified the top of his head, he was so close. Out of nowhere, Gene, like a kamikaze pilot, came up from behind, and Thwap! His thick spear of a beak went right into Henry’s ear puncturing the eardrum. Already trapped by the thickening, slurry mud, his arms were stuck to his sides. He cried out like a short-circuited ambulance siren. His hat was being carried off by a lousy crow. Gene sidled up next to Henry and and said, “Get up.” Knowing full well Henry wasn’t going anywhere.

Bright fluorescent lights from all angles suddenly flooded the dump, and tens of thousands of gulls consumed the sky, whirling in a giant mass of screaming havoc.

His last flickering visage was of a large 4-wheeler charging towards him with two glass-masked men who appeared to be dressed as surgeons, blades out. They shoveled Henry’s limp body into the back of the open air vehicle and roared back to their bunker. The green light turned off until the next one arrived.

Gene hardly registered the commotion, instead, he preened his pale white knives, alone, lording over his kingdom of beautiful, rancid wreckage.

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THE WEEPING NUDE by Jennifer Lewis

“Get up.”

“No. It’s not even light out. I want to sleep.”

“You heard me.” He lights a candle, then another. Then claps his hands. “Move!”

She smells the turpentine. Hears the clinking of glass bottles. The room is freezing. Tiny sounds of the night drift through the walls. A horse kicks a stone, then neighs.

“I’m not posing,” she says.

“I’ve told you before. You never have to pose. You must be yourself.”

The Weeping Nude, Edvard Munch 1913

This makes her smile. She likes being different than the others. Not another archetype, or myth or stupid symbol. How 18th century? She’s the youngest of his models. Only seventeen. A strong peasant girl with a wide face and wide-eyes, who earns room-and-board for cleaning the house of a lonely painter, who had just spent eight months in a sanatorium suffering from hallucinations and anxiety.  

“Fine,” she says, gathering herself under the blankets. She rises to all fours, articulating her spin, the blanket still on her back. She looks like tent. Her head thrashes and her hips shake until the blanket falls off.  She stands on her knees and takes of her white nightgown. Her now-famously dark hair covers her breasts. It keeps her warm. She’s thankful to her mother for giving her this thick mess.

She hears the bristles of the brush dancing on the canvas, the palette knife scraping the surface. She smiles to herself under all that hair. She loves the power of her beauty. Its ability to wake up this old man in the middle of the night.   

“Don’t move,” he says, commanded by inspiration. Grinning at her like she is  some kind of God. She wonders what his friend, Dr. Fraud, would think about this?

“Stay still, Moss Girl.”

Her thighs burn with fatigue. Her fingertips and toes are frozen. She fidgets. She doesn’t want to stay still anymore. A draft moves over her nipples and belly. She wants to crawl back under the blankets, but the chance that her portrait may hang in a museum keeps her still.

“You’re stronger than you think you are,” he says, “You’re a healthy girl.” She narrows her eyes. She feels badly for him. He had told her that he was a sickly kid, that he watched his mother die of tuberculosis when he was five, then his older sister at fourteen. One night when he allowed himself to drink, he said, “Illness and madness and death were the black angels that stood at my cradle.”

She stays motionless until her thighs can no longer take it. She falls back on her heels. Her left leg cramps and she lunges it straight. She hates him for waking her up. She hates her mother for encouraging her to work for him. She hates that her only skill is to please this insane man. She places her head in her hands and feels her belly convulse with rage.

“Fantastic,” he says. “Bravo!”  

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THIS IS WHAT I WANT by Tina Wayland

This is what I want.

I want to change the locks on our front door. My front door. I want to pry the deadbolts from the wall, break them with a hammer. Feel the echo of every strike travel up my arms and through my skin, settle in my bones.

I want to throw away the key that hangs from your belt buckle, forget the way you’d bend your hips to the lock like a dance, swaying to catch the keyhole, then tumbling into the room as the door swung open, catching your balance on the picture of us that always hung crooked.

I want to sweep out whatever’s left of you under the bed—the t-shirt you bought at some concert and wore until it grew armpit holes. The corners of old condom wrappers and clumps of dust made from your dead skin, like some snake that took years and years to shed its old life.

I want to scrub your fingerprints off all the dishes, remove the grease stains your lips left on the glasses, the smudges on the silverware. I want to erase the way you hold a cup in your palm, fingers splayed, balancing its weight against your skin. That delicate touch I thought you took with everything.

I want to pull down all the pictures of you off the wall, leaving nothing but dirty outlines and patches of clean nothingness underneath. The parts you couldn’t get to. I want to tear them to pieces, destroy every evidence of you, of us—

—at the beach that first summer, when I burned my mouth on marshmallows and cut the pain with the last of your whisky

—with our used blue Cavalier, when you made the salesman take a picture of us—me in the backseat, and you upfront, my chauffeur in a tweed cap

—at your graduation, wearing the long black gown I spent hours ironing, trying to take out every crease so everything would be perfect

—in the mountains on our last trip—late spring? early summer?—when you wore a new shirt I didn’t recognize and I asked you about it but you didn’t answer…

I want to de-ink this tattoo of our names on my arm, turn the intertwined letters into serpents that eat one another whole until we disappear. You folded your fingers into mine when I said it hurt, promised to run the pain into your own skin so we’d be forever imprinted on each other. So we’d be carved into layers too deep to cut out.

I want to wash your smell out of everything. Bleach the towels and sheets, scour the white leather couch where you’d sit texting, laughing, telling me never mind, babe, doesn’t matter. I want to whitewash the blue screen that reflected off your face in our room, in the middle of the night, filling our space up with the light of words that left me in the dark.

I want to rip up every road that drove us to your parents’ farm, where you’d toss hay bales into the attic and bless me when I sneezed. When the cows came in for winter we’d warm up in a stall—the thick, animal smell of us filling the barn, the cattle echoing our lowing. Once you called me city girl and I bought a checked fleece to prove you wrong. I wore it the day you wanted to leave early, and when I stood up my shirt was covered in hay. A hairshirt. My hair tangled in straw.  

I want to forget all the names you ever called me, all the things you whispered up close or not quite far enough away—

—darling

—babe

—listen

—I can’t…

I want to break the hands of the clock that ticked away at our final days, filled every room with a beating heart that hadn’t yet broken. I want to tear the spines from the books you’d bring back, pages warped and lined in yellow marker like beacons. Like warnings. I want to take back all the times I said OK, stay late, study. Then you’d stack your books in piles by the bed, the bookmarks bent but barely moving.

I want to burn the stairs where you stood when you told me. The long, spiral staircase that we’ve walked a hundred hundred times to our apartment. My apartment. I want to set the top step alight and watch it burn away the memory, turn the wood to ash that will fall to a pile and scatter in the wind, your chain of painful words floating down some dirty alley to bury themselves amongst the other garbage there.

I want to forget the way you held my arm like we were at a funeral. The way you said her name, a life preserver, a rescue raft come to whisk you away. I want to erase the feel of your cheek off my fingers, where they slapped you hard enough that you lost your balance. When you grabbed the railing I wished it would melt in your hands, let you slip through the molten metal, trap you forever at the top of the staircase.

I want to retrieve all those years. To be 18 again. To tell myself not to listen. Cover my ears when you asked me to come for a walk. Push you away when you pulled me behind the tree. Plucked a leaf and held it up to my face. Told me I was a reflection of nature, with the green of the earth and the blue of the sky in my eyes. I want to warn myself that your kiss was not worth it. That your hand cupped my cheek in a clasp, not a caress. I want to stop my back from falling against the tree trunk and letting go.

I want to go back and delete it all.

I want it to never have been.

I want us to have never existed.

I want you to have never been here at all.

This is what I want.

This is what I want.

This is what I want.

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