DOMESTIC TERRORIST by Meeah Williams

That morning I had my usual breakfast: a bowl of pimples soaked in apple cider vinegar. However, this morning the pimples were inflamed. Each pimple had a little demon erupting from its infected head and each demon was bending over and showing me its hairy ass.

The meter lady came to the door and wanted to read my tonsils. I said “I don’t have tonsils anymore. They were removed when I was five.” She said, “Exactly” and made an angry hash mark on her little clipboard beside my name. I threw a symbolic kitten at her back as she clomped down the path to her armored dune buggy and roared away.

My life was like a lot of people’s lives except it had my name on it.

My boyfriend looked up from his laptop and asked me, “how many people do you suppose you have kill to be technically considered a serial killer? Is three the minimum or will only two do?”

When I asked him why he wanted to know he ran off into the living room and peered out coyly from the cactus farm I’d planted there.

My life was like a suitcase a stranger thrust into my hand at the train station, running off before I could object.

I’m left standing here on the platform waiting for a train with the rest of the hyenas. I didn’t see the point of going any further but the policeman said, “Well you sure as hell can’t stay here” and shoved me through the closing doors.

I took the only seat still available, beside a morbidly obese man already taking up most of the seat beside him. I asked him, “Do you happen to know where this train is headed?”

He said, “No. But wherever it’s going I hope they serve hamburgers there.”

This seemed to me a singularly significant and wise response under the circumstances. My respect for him climbed a millimeter. So I asked him, “Do you think I’m the type of girl a serial killer would mind killing?”

He said, “It just so happens that the first thing I thought when you entered the train was ‘that’s the kind of girl a serial killer wouldn’t mind killing.’”

“Thanks,” I said. “That’s the nicest thing anyone has said to me all day.”

“Don’t mention it,” he said.

We both seemed to intuit the conversation could only go downhill from there and so neither of us risked the  exchange of a single additional word. The scenery flew past us in the windows like the contents of a blender mixing up a rat smoothie.

I must have dozed. When I woke up I was still alive. The train had stopped in the middle of nowhere. My throat had not been cut. I was not disemboweled. In other words, I had no excuse for remaining on the train. I would have to disembark. I said goodbye to the morbidly obese man on the platform. I picked up my suitcase and headed for the taxi stand.

My life was like a bomb that a stranger had foisted on me and warned me not to tell anyone about or else.

I slid into the first available taxi. The driver looked into the rearview mirror. “Where to ma’am?”

I closed my eyes. “Five-four-three-two-one,” I said.

I opened my eyes. Everything was still there.

The driver said, “Five-four-three-two-one where, ma’am?”

“Never mind. Just take me to wherever you have polar bears in this town. I think seeing some polar bears is just the thing I need right now. If you don’t have polar bears, then I guess anywhere you can get a decent plate  of pancakes.”

The cab pulled away from the curb.

“Five-four-three-two-one,” I muttered under my breath.

I opened my eyes.

Everything was still there.

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GARGOYLE by Zac Smith

I sit on the front porch to get out of the apartment, to watch the children practice soccer in the field across the street. My neighbor comes in and out with his dogs. Every time, I pet the dogs while he tries not to make eye contact.

He is out of shape. Tall, but bloated. I see this. I remind him by looking at his body. When he looks at me, I look at his stomach. His gut, how it pokes out between the drapes of his flannel shirts. As I look at his gut, he looks at my gut. He thinks about his health, my health. Our health. He thinks about my heart surgery: quadruple bypass. He thinks about my recovery: slow and pitiful. He thinks about the future. His future, my future, our future.

I’ve seen him with junk food, bags of takeout, six-packs on the weekends. I leave the dregs of my own takeout meals on the top of the trash can out front, piles of styrofoam and foil and leaking sauces the first thing he sees when he stashes the remnants of his own sad refuse.

I pet his dogs. I can find all their sweet spots with ease, they wag their tails, they stare at me lovingly, ignoring him, ignoring the walk he is trying to take them on, and I tell him how I used to have dogs, how they slept in my bed, how we used to go on walks on days like this, and I describe their illnesses, their deaths – I describe putting them down, and I describe my loneliness thereafter, the sadness that came, and how I never got another dog, and how I came to only have cats, which I hate, because they are horrible things that stay inside and ignore me.

But I shrug, because what am I going to do? Nothing – there is nothing I can do.

I pet his dogs and I tell him about my first cat. It was my daughter’s – she moved in with me for three months, brought her cat, taught me how to care for it, then she moved out, left the cat, and I haven’t seen her since, no contact, not a word, for years, it’s been years and I don’t know why, and sometimes all I do is wonder, I wonder why she’s gone, because she’s gone, she’s a ghost, but I still have her cat, at least, I guess, and I ask him how his wife is doing, because I know she’s pregnant, it’s their first baby, it’s beautiful that it’s happening, I’m so happy for them, and I pet the dogs while he watches the kids play soccer in the field across the street, thinking, worrying, about to tug on their leashes and try to escape, so I let him go with a smile and he wanders off into the sunshine, dogs pulling in all directions because it’s so nice out, just a perfect day, I am going to keep sitting here and enjoy it.

I am a gargoyle. I am a bad omen, a shadow that haunts our front stoop, and I will wait for him to come back, for him to let me pet the dogs some more, to let me tell him more things about what comes next; I want to tell him about the cats I have now, how they yowl at night and crawl on me in the dark, how they were my ex-wife’s cats, how I never asked for them and she just left them here when she left, and tell him about my ex-wife, about her leaving, about all the things she left behind when she did, about how the unwanted cats just pile up, how everything just piles up, up and up and up and in any case I don’t think I could even climb all the stairs right now, God, there are so many stairs, I’m out of breath just thinking about them – I have to go slow, I have to halt and breathe and wheeze, I have to balance on the last stair and squeeze in through the door so the cats don’t get out, and then I have to sit in the stale air, sit with all the cat hair, with all the bills and old gauze and medicines in their little orange jars, with the old boxes of old things, the bad memories, the bad things to come and the sun just feels so nice, it’s so nice to be outside, it’s nice to walk the dogs, to watch the kids play soccer, to talk to someone, to be somewhere else, to get out, to get out while you can before you can’t, and there, there he is, I can see him now.

Here he comes.

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ROTTEN TOOTH by Kim Magowan & Michelle Ross

Blinking in the darkness of the school auditorium, Rajiv spots his ex-wife Sangita. Her filmy green shawl is flung over the back of the empty seat beside her, reminding him of how their daughter, Alisha, puts a plate and cutlery out for her imaginary friend, Mr. Potato (not to be confused with the toy with the interchangeable facial features). The first time she did this, Rajiv thought Alisha was setting a place for her mother, and he’d wondered if the intention might actually conjure Sangita.

“You saving that seat for Todd?” Rajiv asks Sangita. Her boyfriend, pink-faced with thick, blond hair: Todd looks like a mayonnaise-based potato salad. Every time Alisha talks about Mr. Potato, Todd’s face is what Rajiv sees. If only she’d chosen some other produce as her friend’s namesake. Even Mr. Frisée or Mr. Dandelion Greens would leave a less bitter taste on Rajiv’s tongue.

Sangita sighs. “I thought you said talking to me was like having a cavity filled.”

“Root canal,” Rajiv says.

When Alisha first set that place for Mr. Potato, two years ago, Rajiv half believed Sangita would materialize, even though he knew perfectly well she was in Bermuda with Todd. Probably spreading aloe on Todd’s grotesque, sunburnt, mole-studded back. In movies, when children announced a presence the adults couldn’t see, those children were generally onto something. Rajiv sliced some frozen cookie dough and put it in the oven, just in case, so if Sangita miraculously walked in, the house wouldn’t smell only of takeout curry.

“You like to suffer,” Sangita says. “You like to feel sorry for yourself.”

“But after a root canal, the pain goes away,” says Rajiv.

Sangita looks at him with pity. “You need to find a seat. The concert will start any minute now.”

Rajiv finds a lone unoccupied chair two rows behind Sangita and watches as Todd settles in beside her, roping his thick arm around Sangita’s shoulders.

Then the curtain opens, and the band director thanks them for coming. He talks about the piece with which the concert will open, Bach’s “Sheep May Safely Graze.” A lullaby, he calls it. He explains the opening lines to them: “Sheep may safely graze and pasture/When a shepherd guards them well.” It was written, he tells them, for the birthday of Duke Christian, a patron of Bach, the nobleman praised for protecting his citizen flock.

Rajiv watches Todd massage Sangita’s neck with one of his giant, boiled ham hands, watches her whisper something to him. “My work is just as important as yours fucking is,” Sangita once whispered in Rajiv’s ear at a preschool play. This just after he’d kissed her cheek. Rajiv knew that things were often not what they appeared. He also knew that thinking like this was ridiculous when the thing you hoped you saw wrong was your ex-wife and her new—no, not new—partner.

The song the children play is so gentle that the music is like a hand rubbing soft circles onto Rajiv’s back, telling him to lie down and rest. “Let go of your troubles, weary travelers”: that had been Alisha’s one line in that school play.

Rajiv remembers the root canal he’d gotten ten years ago. How tender the endodontist was with him. The miracle of the Novocain sponging up his pain. And then after, when the pain was gone for good, how he had felt smitten with that endodontist for removing the thing so excruciating he’d consumed nothing but liquids for three weeks.  

His analogy was all wrong. Sangita was no root canal. She was a rotten tooth. Not that she was to blame. When Rajiv first went to the dentist about his pain, he insisted the diagnosis had to be wrong. He routinely flossed. He hardly ate sweets. Then the dentist had explained that his tooth had a hairline fracture. Rajiv grinded his teeth in his sleep. That’s how the infection had gotten in: when he was unawares, convinced he’d done everything right.

 

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GRIP by Claire Hopple

Let us tell you about Louise. At the moment we started to really pay attention, she was stuck behind a vehicle that read “Criminal Transport Unit - Dept. of Corrections” on the highway.

When traffic cleared and she finally made it to the park, she was handed a universal key to all the glass showcases by her father.

“Add more furnishings to the blue-tongue skink cage,” he said, gesturing toward an open box on a picnic table.

Louise pulled what looked to be a mini tiki hut and micro lounge chairs out of the box and headed toward the showcases. The skinks did not seem to react to the new arrangement, though Louise thought it could’ve been because they were far too large to fit into the chairs.

Here she was working with her father and living with her father and somehow her brother Bill had made it all the way to Colorado, even if he was transporting dead bodies for a living.

Naturally, he loved to tell everyone about picking up Joe Cocker’s body, who passed away on December 22, 2014 in a place called Crawford, Colorado, population 431.

“Too many cigarettes,” Bill always said, like he and Joe were buds.

Just as Louise noticed how the park pavilion smelled exactly like camp in some murky way, her father came back over.

“If things get...if they go...if things become cumbersome today, the code word’s sarsaparilla,” he garbled.

She opened her mouth to reply and he said “what” in a way that wasn’t really a question and she said “nothing,” but it was really that if something actually went down today, she would panic and not remember any real, helpful words let alone any code words, especially one like sarsaparilla.

He was off to prep the leopard geckos. She wasn’t allowed to touch them because they could lose their tails if handled too roughly.

Sure, Louise was offended that her father thought she wasn’t up for a task like that, but she was also relieved. One of the leopard geckos had this pendulous tumor that she couldn’t help staring at.

This party was for some family friends of theirs. Mitchell, the father of Chase the birthday boy, used to be the older kid on the block when Louise was at her most aesthetically vulnerable.

She noted that she’d first seen him practice-making-out with a front door screen, and now she was watching him unclasp his son from a carseat.

Even these days, he would take his glasses off and Louise found that looking at his actual eyeballs would be this very personal thing. He would seem naked in a way that was more naked than nakedness, and she couldn’t look at him but also couldn’t not look at him.

The crash was more of a beginning than an ending. In the early party pandemonium, no one saw who did it. But the smashed cage was a reality nonetheless.

The Pacman frog’s cage was shattered, though it looked like he (she? it?) had escaped. Of course, the amphibian with “an easygoing nature ideal for a life of captivity” was the one set free. We had witnessed Louise do a little research of her own on these creatures, though we’re not sure exactly why she wanted to impress her own dad.

A pink Post-it lay beside the glass with the words:

For E.G.

As if the destructive behavior were lovingly devoted to this person.

Well, that was what we called the tipping point for Louise. A crowd had formed. She turned the moment into a confessional.

“I have a habit of stealing phone books off of my neighbors’ stoops,” she began.

We knew this, and the neighbors did too, but they were so thankful they didn’t have to dispose of them that they didn’t say a word.

“I stack them in the basement closet that houses the water heater,” she continued.

She was losing them.

“I - I think it’s because things have gotten out of hand. I was fired. The woman who replaced me was supposedly hired just because the CEO hit her with his Range Rover while she was crossing the street. This phone book collection is my only grip on life.”

There was a pause.

“Well, we all knew that,” said her father from somewhere in the group.

She didn’t know what to make of this.

The glass shards fell through the slits in the picnic table, landing somewhere just behind her and the memory of her pride.

As soon as we heard her outward yearning we knew no more exotic animal birthday fun would be had that day.

We found that Louise had reached that point in adulthood where she thought everyone flying planes and cutting people open should be older than her, but they were not. Not always.

Meanwhile, she spent her time doing things like compiling lists of words that were rarely unpaired. Like how nothing ever seems to “spurt” except blood.

That, and we knew for a fact she was waiting out the crinkly man four houses down. He was bound to die soon or at least move into a home, and she was preparing a way for them both. She thought he had no mortgage or family left and that this would work out for her. She helped him paint his siding three weeks ago and we think she was really helping herself.

Anyway, it was easy for us to see that her one regret in life was not just one but multiple. And that maybe she was secretly hoping that we were all axolotls, who have cannibalistic tendencies but if bitten, can regenerate their body parts over time.

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BIO by Nick Perilli

Ernest Scheetz is a writer and carpenter living in Hudson, North Carolina. He smells like sawdust. Other work of his can be found in The Coyotee Review, New Langdon Quarterly, Triage Journal, New Coke Magazine, Holden Press, Instrumental Annual, Endeavors Review, Found Horizon, Form Letter Journal, Synecdoche Zoo York, String Lights Theory Magazine, Dwayne J. Quarterly, The Exorcism of Emily Prose, the garbage, Muted Xylophone Literary, The Flea Market, the Scheetz family plot, the eyes of his first son, the eyes of his dead father, Dreamboat Lit, Tourniquet Journal, Tall Tales & Ice Cream Horror Review, his friend’s copy of Teen Beat, a bathroom stall somewhere in Wyoming, Fresh Hell Annual, Khrushchev’s Lucky Fiddle Weekly, the Ragnarok Online forums, Laser Lightshow Literary, a house in Connecticut whose lumber bones are from the tree in the woods near his house that he used to carve words into with his buddy Sean, Angst & Poetry, Closed for Submissions Indefinitely, Been Where Done What Lit, Fluid on the Brain Review, Milton Bradley’s Mouse Trap, Single Slices $0.50 Annual, Twenty Sixty Quarterly, on the white cabinet drawer in the dresser down in his parents’ recently flooded basement, Horse-Drawn Fiction, Inconsequential Literary Magazine, in Stephanie Torey’s sixth grade desk with a stuffed bear, False Idols Quarterly (formerly Khruschev’s Lucky Fiddle Weekly), still in the printer at work that he isn’t allowed to use for personal documents but he doesn’t have any ink in his printer at home and the library charges $0.20 per page and he doesn’t have the cash right now, Bare Bones Construction Review, Eat at Lit, sitting completely forgotten on his old laptop’s hard drive as the best piece of art he will ever create until it’s thrown away and the hard drive is pecked to bits by seagulls , Funk House Quarterly, Oliphant Digest, in yesterday’s dream that he can’t quite remember no matter how hard he tries, The New Borker: A Canine Literary Experience, Kit Kat Lit—

Stuck in time as a good idea he had on the way home last week that’s lost to him and drifting away every passing day until someone grasps time travel enough to make a time machine in his lifetime, at which point Ernest will go to this person and say, “Please, I will risk the trip.” Having exhausted all volunteers (RIP), this person will say “Sure” and advise Ernest to touch nothing in the past; but when Ernest sees himself pull into his driveway, he won’t be able to refrain from jumping on him and holding his keys to his throat. “What was the idea?” he will yell at his younger self and his younger self will tell Ernest something like this but something not like that and Ernest, having damaged time, will say “That’s not very good,” Cap’n Horatio Crunch’s Crunch Review, elsewhere, and the rest.

He has a cat.

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